| Grassroots | Supporting | Grassrooting Productions, dir. Stephen Gyllenhaal |
| The Whole Truth | Supporting | Tucker Dropout Productions, dir. Colleen Patrick |
| Parasol | Principal | Panic Button Productions, dir. Webster Crowell |
| The Brand Upon the Brain | Supporting | The Film Company, dir. Guy Maddin |
| Police Beat | Principal | Northwest Film Forum, dir. Robinson Devor |
| Naked Proof | Supporting | Pinwheel Productions, dir. Jamie Hook |
| Most Beautiful Song | Supporting | Sissy TV, dir. Annie Ferguson |
| The Shadows of Bob and Zelda | Supporting | Fly Filmmaking/ SIFF, dir. Adrienne Shelley |
| Bluecoatedstory | Principal | Errin & Sharrin Productions, dir. Erik Maahs |
| Dog Fight | Silent Featured | Warner Brothers, dir. Nancy Savoca |
| A Christmas Carol | Mrs. Fezziwig | ACT Theatre, dir. Allison Narver |
| Othello | Desdemona | Freehold’s Engaged Theater, dir. Robin Lynn Smith |
| Night of the Living Dead | Barbara | Seattle Children's Theater, dir. Linda Hartzell |
| All's Well That Ends Well | Helena | Seattle Shakespeare Co., dir. Stephanie Shine |
| Bunnicula | Chester | Seattle Children's Theater, dir. David Bennet |
| Valley of the Dolls | Neely O’Hara | The Empty Space, Burton Curtis/ Alison Narver |
| Titus Andronicus | Demetrius | Upstart Crow, dir. Rosa Joshi |
| BFA: Acting, cum laude | Cornish College of the Arts |
| Summer Training Program | BADA, Oxford England |
| Voice-over Technique | Veronica Weikel/Steve Mitchell Productions |
| Shakespeare/ Acting | John Barton, Jane Lapotaire, Estelle Kohler and Henry Goodman; British American Drama Academy, Oxford University/ Oxford, England |
| Interdisciplinary Performance | Rinde Eckhart/ Cornish College of the Arts |
| Acting Intern | Intiman Theater – 1992 Season |
| Stage Combat | Cornish College of the Arts, certified 1992 |
| Summer Training Program | Gaiety School for Acting Dublin, Ireland |
