Phillip Keiman
SAG/AFTRA
- Performance TypeOn-Camera, Voiceover
- GenderMale
- Age Range50-65
| Height | 5' 11" |
| Weight | 200 |
| Hair | Salt & Pepper |
| Eyes | Hazel |
| Shoe | 10.5 |
| Shirt | 17 x 33 |
| Pants (men) | 36 x 33 |
| Jacket | 44R |
Audio Samples
Commercial
RESUME
Film & Television
| Grimm 217, One Angry Fuchsbau | Don Nidaria | NBC, Open 4 Business Productions |
| Finding the Balance | Dr Howard Burke | Seattle Arts Institute |
| Le Patron | Company Director | Blue Owl Pictures |
| Care | Dr. David Matthews | LCC |
| Saving James | James | The Way Forward |
| Last Orders | Barman | Scala Pictures |
| Meanwhile | Tom | Lairy Shirt Productions |
| Race With The Devil | The Devil | Farnham Films |
| Rosie’s Last Dance | George Taylor | Notable Productions |
| Bloody Tales of the Tower | John Ketch | National Geographic Channel |
| Newton: The Dark Heretic | Sir William James | BBC Television |
| Casualty | Skydiving Vicar | BBC Television |
| The Cappuccino Years | TV Reporter | Tiger Aspect |
| Armando Iannucci Show | Bedford Water Man (underwater) | Talkback Televison |
Corporate Video
| Microsoft Lync | Principal | World Famous Productions |
| Road Safety Video | Principal | DWP |
Commercials
| Ford Mondeo ‘Desire’ | Principal | Bikini Productions |
| Barclays Premiere Business | Principal | Banana Split Productions |
Voiceover
| Mobile Momentum Video | Kari’s Father | Garrigan Lyman Group/Syniverse Technologies |
Representative Stage Roles
| Offramp | Hammer | Incubator Studio Series / Freehold |
| The Night Before Christmas | Santa | PokeyBaby Productions |
| The Taming of the Shrew | Petruchio | Ashrow Theatre Co |
| Defender of the Dead | Zac (One Man Show) | Boiling Kettle Theatre Co |
| Macbeth | MacDuff | Cambridge Shakespeare Festival |
| Antony & Cloepatra | Enobarbus | Cambridge Shakespeare Festival |
| Macbeth | Macbeth | Mad Dogs & Englishmen |
| Peter Grimes | Fisherman | Salzburg Easter Festival |
| The Valkyrie | Hero | English National Opera |
| Sophie’s Choice | SS Sergeant | Royal Opera House |
| Macbeth | Thane of Cawdor / Assassin | Royal Opera House |
| Corporate Identity | Barry | Courtyard Theatre |
| Antigone | Creon | Jermyn Street Theatre |
| The Fate of Eugene Arum | Jowell | Theatre Museum Covent Garden |
| 1984 | O’Brien | Jermyn St Theatre, London |
| Richard III | Richard | Actors Company |
| The Marat / Sade | Jean-Paul Marat | Nottingham Perf Group |
| The Crucible | John Proctor | The Impact Centre |
Education
| Advanced Certificate (Silver Level), Firearms (Handgun) Training | British Academy of Dramatic Combat, London | |
| Alchemy In Screen Acting | Andrew Higgs, London | |
| RADA Diploma In Acting | Nottinghamshire Next Stage | |
| Higher National Certificate | Nottingham, UK | |
Skills
| Dialect | British (Native) Northern and Southern Irish, Scottish, Welsh, General American | |
| Sport | Cycling, Swimming, Skiing, Climbing | |
| Other | Stage Combat, Skydiving, SCUBA Diving, Karate, Horsebac Riding, Car (Stick) and Motorcycle License, Stilt Walking, After Dinner Speaker, Interactive Corporate Role Play | |